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With Childlike Wonder

Growing up in the 1980s meant endless summer days of unstructured wandering—time unfolded within lazy days filled with emergent possibility. Back then, there was freedom to roam, to get lost, and to discover small worlds inside big ones.

One particular memory has stayed with me, vivid and unresolved.

I was eight or nine, ambling through a ramshackle festival campsite, when I came across two hippies seated cross-legged outside their tent. They weren’t strumming guitars or burning incense, as one might expect.

They were drawing intently.

Not abstract swirls or psychedelic doodles, but money.

One was replicating a £20 note, and the other, a £50 note. Each had the real banknote placed beside their sketch as a reference. Their eyes moved back and forth between the original and the reproduction with the care of surgeons, and their hands translated the image to paper with delicate precision.

I stared. Mesmerised.

I couldn’t tell which one was real. The drawings were not only good but nearly indistinguishable from the real thing.

Eventually, the woman looked up and said, “Would you like this?” Seeing the confused look on my face, she smiled and continued, “Here, take it, it’s yours!” In my excitement and shyness, I took it and ran off.

But something more than paper passed between us that day.

A wondrous seed was planted.

A Life of Looking

That moment began a lifelong obsession with the idea that observing something closely enough could allow you to recreate it. That attention could become its own kind of knowledge.

I began to draw obsessively. My left hand, over and over again. A reproduction of Raphael’s School of Athens extends across my bedroom wall. My room became a museum of mimicry. For me, drawing wasn’t just art—it was a tool for seeing. For understanding. For entering the world more deeply.

But even in my dedication, I noticed the limits.

No matter how detailed my sketches became, they were still static, two-dimensional reflections. Beautiful, yes. But frozen. I could imitate texture, form, even light and shadow. But I couldn’t capture movement. I couldn’t reproduce change or time. My replicas couldn’t respond. They couldn’t evolve.

And so, over time, a new question emerged:

What if they could?

Creative Currency

Now we possess the potential to extend our sketchbooks, our curiosity, and our insights by leveraging the ultimate replication tool: artificial intelligence.

Our random notes and thoughts need no longer disappear in a wash of information overload.

The potential to explore ourselves through the digital twin has filled me, once again, with wonder.

Far from the 1980s and the pastoral town of my youth, I find myself handed yet another invitation to remain curious, remain open, and explore the new magic as a tool in the hands of artists.

The currency of humans is and has always been our creativity. Artists in the Renaissance were charged with pushing the creative currency forward, raising the value of our human ingenuity through cathedral thinking, that is, the outsized effort of a human exploring beyond the realm of one lifetime.

Brick by brick, and one generation after another, we arrive today. Amidst the entropic chaos exists emergent potential. Artists will not receive an invitation to the guild. We must sit in the metaphorical field with our attention and our rebellious spirit and explore what it is to create with the new tools.

Fear will be our partner until the end, but we cannot let it guide us. AI feels threatening because it is powerful, so many of us don’t know how to navigate it yet. And sure, plenty of so-called experts are out there spinning disaster scenarios. Fine.

Artists must do what we are made for: observe and create in this new reality. We must be leaders of human ingenuity, not to replicate but to create, to extend the capacity of one lifetime through cathedral thinking once again—a single thread of human curiosity stretching from cave paintings to artificial intelligence.

We have not forgotten how; we have forgotten why. Our job as artists is to show the vision to those without the imagination to see beyond the walls of their fear, invite others to become curious, and hand the gift of creativity to the next generation.

Like the little boy, running off with glee on a summer’s day long ago, let our sense of wonder return, let our wandering bring us home to creating.

C.O'Connor

Ay sufficiently advanced technology is indistinguishable from magic.
Arthur C. Clarke

If you feel the pull to explore the unfamiliar, but on your terms—

If you’ve ever felt the spark of wonder while sketching in the margins...

If you’ve ever questioned the rules of what art should be...

Then AICharmLab was built with you in mind.

It’s a creative laboratory—a rebel’s playground. A sanctuary for artists who don’t just want to catch up with the future—they want to help shape it.

We’re inviting you—rebels, visionaries, quiet seers, and loud dreamers—to come experiment, question, and create with us.

Join the waitlist for AICharmLab and become part of the movement to reshape creativity from the inside out.

Change Your Mind, It Will Change You

Change is the moment-to-moment alteration of airflow as we inhale and exhale.

Change is the rhythm of waking and sleeping, the state of consciousness, and the states of unconsciousness.

Change is the unfolding of years, emergent only in the rear-view, in hindsight and retrospect.

Our cycles and our lives are pushing and pulling at every level and every moment, toward the undeniable alteration that time and repetition bring.

Middle-earthlings such as ourselves are perpetually stuck in the middle perspective and even insist upon the truth of our perspective above all else.

Middle perspectives are neither zoomed out nor in; they are neither macro nor micro, but rather sit in the liminal space between expansion and contraction.

We cling to the hope that we have the power to control this middle zone. We do not.

Our human lives are mammal-lengthened. Mammals are successful breeders, and nature caps our existence for a reason.

But these days, even death and aging appear up for grabs by billionaires facing the coming extinguishment of their turn upon the mortal coil.

Most of us must suffice with the approximate number of decades our blueprint of life allows for.

Most of us would benefit from seeing through the veil of misguided attempts to control the uncontrollable and learn to dance with change.

Centering as Return, Not Arrival

Wherever you go, there you are. Externalities will always remind us that you bring you with you. The only path to centering is you.

Centering, in the practice of wheel thrown pottery, is the art of coercing an unstable, heavy lump of clay into a symmetrically cylindrical lump of clay that then can be molded by the potter's hands, using the wheel, into a vessel of one form or another.

Centering is not easy, and in pottery and life, centering requires a mental and physical calm.

The potter's hands learn centering through failure—too much pressure and the clay flies off, too little and it wobbles eternally.

Similarly, our bodies hold wisdom about when to yield and when to press.

Even centered clay on the wheel is in constant motion—it only appears still relative to its rotation.

Anxiety over change is a perfectly natural human reaction to uncertainty. The goal is not to remove anxiety but to flow with the emotions like the spinning clay.

Our center isn't a fixed point but a dynamic relationship with movement itself.

Every potter knows you lose center constantly—what matters is noticing and coming back.

When we notice that our bodies are speaking to us through the pain in our wrist, the tiredness that seems chronic, or the short temper we have developed to defend against one more item on the never-ending to-do list, our bodies respond to our listening.

Awareness is the first step toward home.

The answer to the question of what should I do to be more adaptive is not to add more to your list.

The answer is to take one moment at a time in small and manageable doses and bring your awareness back to the present moment you are in.

You are the vessel of your life, and you can be a big, wobbly lump of clay that cannot find the center and eventually falls apart, or you can find your way to the center through the journey of calming the mind.

The mind is the gravitational force that holds or collapses your center.

But how do we calm this gravitational force when the world spins faster than our wheel?

The Collective Wobble

Your wobble affects mine. Mine affects yours. This is not a design flaw—it's the design.

Watch a room full of potters learning and creating.

When one person's clay flies off the wheel, everyone flinches.

When someone finds their center and a tall cylinder rises, the whole room settles slightly.

We are energetically porous creatures pretending to be separate.

Boundaries are not walls.

A centered potter can work steadily while chaos erupts at the next wheel.

Not through ignorance or indifference, but through a kind of rooted presence that says: I can hold my center and witness yours.

I can be steady without being rigid. I can be affected without being toppled.

My energy is calm and grounded; this is a gift for both myself and those around me.

The clay teaches us that we can be soft enough to feel and firm enough to hold form.

When someone you love is wobbling, you cannot center them. This is the most brutal truth.

You can only offer your centered presence as a kind of energetic invitation: here's what solid ground feels like, if you want to remember.

Sometimes the most loving thing is to keep your hands on your clay, trusting that your centered presence is medicine enough.

Sometimes it's knowing when to stop your wheel and offer your hands to steady another's work. Wisdom is knowing the difference.

We center not in spite of each other but because of each other.

Your steady presence makes my return possible.

My grounded weight reminds you that landing is safe.

The collective wobble is not a problem to solve; it is the condition we practice within, it is life.

Return to Center

The vessel you become through centering is not for display.

We center not to become perfect cylinders, but to become useful vessels.

A centered pot can hold water, soup, flowers, or simply space.

An uncentered lump holds nothing but its own collapse.

Centering in practice is subtle, a sudden quiet, like when the washing machine finally stops spinning and you realize how loud it was.

Your shoulders drop without being told.

Your breath finds a rhythm that doesn't require management.

For one brief moment, you stop arguing with gravity.

It feels like coming home to a self you forgot you were.

You'll lose it again in minutes, maybe seconds. This is not failure. This is the practice.

Change will keep changing. The wheel will keep spinning. Your clay will wobble and threaten to fly.

The center holds not because it's strong, but because it knows how to yield and come back.

Like breath.

Like tides.

Like you, learning to dance with what is, shaping vessels from the beautiful mess of being human.

This is your practice.

This is your clay.

These are your hands, finding their way home.

"Being aware of your fear is smart. Overcoming it is the mark of a successful person." — Seth Godin

Be curious. Question your patterns. And be kind to yourself; you are worthy, my friend.

-Sonia a.k.a. SuperSonic

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Security in Dependency Code

Vulnerable packages in your codebase??

AI Coding Tool: Software Bill of Materials (SOM) Instructions

Notion is a fantastic tool to get you there. As a builder in the Notion Builders Program, I recommend applying to Notion for Startups, which provides 6 months of free Notion Business Plan and Notion AI.

AI Search...

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Friends of TheTechMargin


"We’re born creative. Then, we forget. This book helps us remember."
Pia Leichter

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